Tag Archives: Forestry

Shaping the Wild, by David Elias

Shaping the Wild: Wisdom from a
Welsh Hill Farm, by David Elias.
Calon, 2023.
ISBN 978-1-9152-7934-7.

There are plenty of nature-on-farms books written by anxious conservationists, telling how everything is falling to bits (and it’s the farmers’ fault). There are not a few written by nature-loving farmers, telling how farmers are the people closest to the land and the nature on it.

There are rather fewer written by lifelong conservationists, who’ve chosen to visit and study one farm for a period of years, and try to understand the constraints on the farmer, the shifting tides of policy, and the balance that will actually benefit wildlife. In fact, I rather suspect this is the first one.

Craig-y-tân is a hill farm in the Eryri (Snowdonia) national park. There are some tiny stone-walled fields near the farmhouse; some rough pasture down by the river, the Afon Lliw; some old-fashioned broadleaved woodland on the hillslope, up to the mountain wall; an area as big as all of the above of “steep ffridd”, bouldery mountainside; and then a large area of upland blanket bog. The neighbouring areas include another isolated house, two footbridges, a ruined farm, a waterfall, and a chunk of 20th century conifer plantation.

It is difficult to make money on a hill farm. Traditional life was close to subsistence. Lambs were lost to foxes; hay was hard to make in wet Welsh mountain summers; peat was cut by hand. Governments have offered money to “improve” the land by draining or reseeding. Constant changes of farming policy have meant that one action was required to get a grant: then another. The blanket bog was filled with drainage ditches; now there are grants to stop up the drains and restore the peat, which stores large amounts of carbon: as long as it stays wet.

Conservationists have scratched their heads about how to manage wildlife on hill farms. If you take the sheep off the land, birch and willow trees spring up, their shoots un-nibbled, and the attractive rough grass, with its flowers and birds and insects, disappears into forest. If you add sheep, the farm may make more money but the flowers are grazed down to nothing and you again lose much of the wildlife. Just a little bit of conservation grazing, then? Elias notes the doubtful looks he gets when he hums and hahs in answer to a plain farming question, what to do. Possibly the farmer is doing really rather well, given all the trade-offs.

As for trees, governments in the 20th century encouraged economic forestry, meaning plantations of Sitka spruce, a non-native tree. This can all the same be good for wildlife, as young conifers compete with sallow, birch, rowan, and bramble, with homes for reed buntings, tree pipits, whitethroats and other warblers, along with butterflies and dragonflies. But as the spruces get tall and dark, all of that disappears, and there is a bare forest floor, shaded by a dense canopy, which supports a few specialist birds like siskins and crossbills. When the trees are big enough, they are harvested all at once with an enormous “sexy-looking Finnish machine” that enables one man to cut the trees, strip the trunks, slice them to length, and stack them for transporting without leaving the machine’s cab.

If you could have the conifers in small blocks of different ages (more like a traditional coppice woodland), then you would get a mosaic effect, with much more wildlife; even better, you might mix in some broadleaved trees for the insects and birds they can support. Of course, harvesting then becomes less convenient.

That’s not even to mention climate change. Many of the most-prized species are vanishing as the climate warms. Familiar upland birds like the curlew have all but gone; the farmer’s son doesn’t know them at all. A day spent searching the upland bog for large heath butterflies finds none: apparently there were only 2 sightings in the whole of Wales. Elias admits that in 50 years as a naturalist and conservationist, he has seen “a quiet draining away” of wildlife from many landscapes.

This is Elias’s first book. I found the first two or three chapters a little repetitive, as he chews over the issues slowly and carefully; a bit of copy-editing would not have gone amiss. But he warms to his work, and the later chapters are more direct, more fluent, if still grappling with the tangled conservation and farming issues.

His familiarity with farming legislation, carefully footnoted, and his evident sympathy for the Welsh hill-farmer make this an informative and distinctive book. Shaping the Wild doesn’t offer easy answers; but it steers clear both of despair (conservation has achieved nothing, hill-farming is doomed) and of facile optimism (the next government policy will fix everything).

The last chapter agrees that the countryside has changed beyond recognition, but insists that many people who are not conservationists enjoy nature, from farmers to mountain bikers. They’re the audience. And the farm? Elias considers whether

Craig-y-tân is an anachronism maintained at considerable public expense, or a beacon of hope and a way forward. It is still a beautiful place and rich in wildlife, especially by current standards; it is also a viable, if subsidised, working farm in the hands of a local Welsh-speaking family committed to their community and way of life. — Ch. 13 In the End

May it long continue.

Buy it from Amazon.com (commission paid)
Buy it from Amazon.co.uk (commission paid)

I received a review copy of this book.

Classic Book Review: The Worm Forgives the Plough, by John Stewart Collis

The Worm Forgives the Plough, by John Stewart Collis (Vintage Classics edition)
The Worm Forgives the Plough, by John Stewart Collis (Vintage Classics edition). The fine linocut of teasels is by Angie Lewin.

I promised myself I would only review books I really loved, that I would urge a close friend to read, sure they wouldn’t be disappointed. Few books pass this test.

John Stewart Collis was an educated man, born in  Ireland in 1900, living and working in England. He wrote some biographies and pottered along quietly in the literary life. Then the Second World War came along. Wanting to work for his country, but too old to fight and not fancying a dull desk job, he volunteered for the Land Army. It consisted mainly of women, “Land Girls”, as thousands of farm labourers joined the armed forces.

"We could do with thousands more like you: Join the WOMEN'S Land Army". Second World War recruitment poster
“We could do with thousands more like you: Join the WOMEN’S Land Army”. Second World War recruitment poster

Collis makes the long-gone era of scythes and horses immediately accessible. As a professional writer, he is from our modern urban world, familiar with politics, technology, change,  middle-class angst. As a man experiencing the daily toil of following the plough or harrow, hoeing by hand, harvesting, pacing oneself while looking out for the owner’s car (a good moment to appear busy), he is in that rural world painted in such a golden light by the wartime posters.

And he’s funny. He notes that farm work is not an exhilarating form of exercise — he recommends a game of tennis for that; instead, you go at it steadily, never hurrying, whatever the weather. He is perfectly capable of writing wide-eyed descriptions, as when he kneels down beside an ancient tree-trunk and admires the insects hidden under the bark “building their Jerusalem in these countries of decay which must represent for them the acme of perfection”, the strange world of the fungi. But much more often he is direct, matter-of-fact: he likes to test the rotten wood with his boots.

Collis has the gift — I’d say it was rare — of noticing that the ordinary aspects of life and work all around him are strange and temporary. Here he is on what it is like trying to harness a farm horse by yourself:

When I came to harnessing for the first time I was surprised at the weight of the harness. I found that the breeching and attendant straps were as heavy as a saddle. When I tried putting the collar on I found I had put the bridle on first. Having taken off the bridle, the collar still wouldn’t go on — for the simple reason that you must reverse it while negotiating the head, which I had not done, thus following the example of Wordsworth who also failed in this matter. I was no more successful with the hames; I got them the wrong way round, and when at last I got them the right way round, I failed to pin them under the collar in a sufficiently tight notch. This done, I was now ready to put the horse into the cart. But I was not prepared for the difficulty of backing it straight between the shafts nor for the weight of the cart when lifted up by one of the shafts, nor for the difficulties confronting me in continuing the good work. For, having thrown over the long chain that rests on the breeching, and dodged under the horse’s neck to catch it on the other side, I missed it and it rolled back so that I had to throw it over again, all the time holding up the shaft with one hand while I went to the other side. And after this came the fixing of the remaining chains, all of which I put into the wrong notches.

I don’t know about you, but I’m sweating and powdered with stable dust just reading about it.

With the arrival of the first combine harvesters, which Collis admires, he perceives that the old way of life is going to be utterly disrupted, even while he and the other farm labourers continue to work on the farm, while the village pubs were still full of countrymen. It would be nostalgic, only the writing is quite unsentimental, and we are right there alongside Collis, looking up from our work as we watch the new machine as it roars and rattles along doing the work of twenty men, and reflect on what it will mean. This is something special.  And I promise you’ll want to go out and buy a well-balanced axe and billhook, to try the pleasure for yourself.

Buy it from Amazon.com (commission paid)
Buy it from Amazon.co.uk (commission paid)