Tag Archives: Sedge Warbler

Contrasting May Landscapes at Wraysbury Lakes

Well, where can you see swamps, meadows, wild flowers, scrub, woodland, lakes, riverside, rough grassland, and even a Victorian monument, all in an hour’s walk, and in easy reach of London? Wraysbury is the answer.

Comfrey by the lake
Ring-necked Parakeet in its nest hole
Move over, Alabama Swamps, this is Wraysbury!
Sheep and Jackdaws on the banks of the reservoir. The Jackdaws devour insect grubs in the grass, especially in sheep droppings.
Colne Brook, May blossom, Lombardy poplars
Cowslips, Bugle
Daisy lawn, Whitethroat scrub habitat
Mute Swan drinking – the scene may look peaceful, but his wings and tail are raised threateningly even though no other birds were about! Such is the mating season.
Complicated, or what? In August 1832 it must have seemed well worth setting in stone the rights to not being flooded by anyone deliberately raising the water level above the limit defined here …

I don’t know if I’d set this in stone, but I heard 5 warblers singing, and caught a typical glimpse of a Cetti’s warbler diving from a bush beside the lake – big, dark brown, it really wasn’t any other bird. Still, I didn’t hear it call, which would have decided the matter beyond reasonable doubt. So, a 5-and-a-half warbler walk, I guess.

Butterflies: Large white, Small white, Brimstone, Holly blue, Peacock, Speckled Wood.

Odonata: Banded Demoiselle, Common blue (teneral, i.e. just emerged).

Other insects: Mayfly, Alder fly.

On the way home, I went round Heathrow airport, and a Skylark sang to me through the open car window from the grassy areas beside the runways.

Ducklings at the Leg of Mutton Nature Reserve, Barnes (and House Martins)

Leg of Mutton Nature Reserve
Leg of Mutton Nature Reserve

An unexpectedly warm and sunny afternoon in May is an opportunity too good to miss, so I went out with bicycle and binoculars along the river, and spent some time in the Leg of Mutton local nature reserve at Barnes. This is a bit of a secret corner, as it’s not far from the WWT’s London Wetland Centre which is certainly far better known. It’s also quite beautiful in springtime, the paths dressed in Queen Anne’s Lace (cow parsley to you) and the lake resplendently blue with new green borders. From the woods, Blackcaps sang all over; from the reeds, both Reed Warbler and Sedge Warbler sang their cheerful repetitive songs: I had a fine view of a Reed Warbler atop the reeds shown in the photo. A Coot with five cootlings scooted about the end of the lake (to the left); a mother Mallard escorted a neat convoy of ducklings; a few Tufted duck preened; five male Pochard dabbled heads-down; more surprisingly, a pair of Gadwall paddled about on the far side. A Mute Swan sat on a nest amongst the reeds. The flowers were visited by masses of small bees. Apart from the planes overhead, the city felt far away.

House Martin Nests on Chiswick Mall
House Martin Nests on Chiswick Mall

On the other side of the river (with the help of the handsome green Barnes Bridge) I had a wonderful surprise: House Martins. Four were wheeling and chattering above Chiswick Mall, right by a house decorated with a dozen House Martin nests (many of them visible in the photo), and several in usable condition. This was news to me because the old colony a few hundred yards away was abandoned for whatever reason some years ago. But it is clear that the birds have nested repeatedly in the past few years, and it certainly looks as if they’ll nest again this year. The only small fly in the ointment can be seen on the extreme left of the photo: there is the remains of at least one nest behind some netting, so the birds must have been considered a nuisance on that side of the house, at least. Let us hope that their presence on the front doesn’t trouble anyone, as the colony may well be the only one in Chiswick, and is certainly one of not very many in West London. Being by the river, there are plenty of flies, and the house’s wide eaves with stout supports are ideal for the species.

Ian Alexander’s Amazing Audio Guide to British Warblers

Today I noted down in my nature diary “Sedge – Cetti’s – Blackcap – Chiffchaff – Whitethroat.” I didn’t see any of them: but I’m sure all of them were there, because I heard them unambiguously.

If you think that would be a nice thing to do, but utterly impossible for you, being a city-dweller with cloth ears, let me reassure you: it’s really not difficult. Have you ever been in a noisy party where someone suddenly said your name? You picked out the sound right away, and looked straight at where it came from, didn’t you. In other words, your hearing, and the auditory processing part of your brain, is perfectly adapted to picking out sound signatures from a jumble of other stuff  – engineers call it noise, and who are we to disagree  – without even thinking about it. It’s a wonderful ability, and it has obvious survival value.

So, to warblers. A lot of small, inconspicuous LBBs (yeah, little brown birds) that mainly lurk about deep inside bushes: but with one sharply distinguishing feature – you guessed it, their song. Each species takes good care to avoid hybridising with other species, probably producing uselessly infertile offspring, by announcing its identity to all and sundry. Males tell other males to push off; and they tell females where they are, what species they are, and (so I’m told) how wonderfully fit they are, just by singing in what the females judge is the right way.

So what is the right way? How, in other words, do these warblers sound? Ok, I lied about the audio, there’s no tape or what have you here. But, in simple words, here’s how to tell them apart.

Let’s start with the easiest one. The Chiffchaff just says his name, over and over and over again. Chiff-chaff-chiff-chaff-chiff-chaff… It’s a fairly high, lisping sort of song on, yes, exactly two notes. If you’re a registered European you may prefer to call it Zilp-zalp-zilp-zalp-zilp-zalp…. — it’s the same thing. The call is pretty loud and clear; if you know the Great Tit’s insistent Teacher-Teacher-Teacher call from park or garden, well, it’s not as harsh as that. The Chiffchaff can be heard almost anywhere there are a good number of trees and bushes; there are plenty in parks and by the river.

The warbler that looks almost exactly like the Chiffchaff is the Willow Warbler. It doesn’t frequent willows. It seems to be getting scarcer, and it likes more secluded bushy areas than the Chiffchaff. The song is a unique series of descending phrases, lisping from high to low like a pianist carefully practising his scales every morning: swieeuo(high)-swieeuo-swieeuo-swieeuo-swieeuo-swieeuo(low). It never varies.

The Blackcap is one of the commonest of our warblers. It sings from any reasonably thick patch of bushes: you need a pretty large garden to get Blackcaps, but they’re in every park and reserve. It’s a bit tricky to describe the Blackcap’s song, because he always improvises, like a jazz musician doing a gig. However, he is a bit of an opera meister, a tenor constantly worrying about his voice. So he goes like this:  Ahem. La, la. Do re mi fa. Ahem. Hrrm. La la la. Ah, let me see. Yes. Aaaaaa–La Dolce Vita — Voce di Tenore – si – Aaaaaa!  In short, the Blackcap starts rather hesitantly, stumbles a bit, warms up, sings a few fine fluty notes — and stops abruptly.  Another way of putting it is the traditional “Blackcap’s brief”, but he’s not always quite that short.

The singer you might confuse with the Blackcap is the Garden Warbler. He’s distinctly less common, and requires more green space, but you have a good chance of hearing him in May. The Garden Warbler’s song is immediately recognisable as rather good. Even if you don’t bother with classical music much, you can at once hear that this is someone with a well-trained voice, perfectly modulated, even, rich, rapid, full of notes, expressive. I don’t want to spoil this by saying that the voice doesn’t do terribly much, but it’s true: the Garden Warbler’s song is always somewhat of a piece. It can go on for quite a while, sometimes tens of seconds without a break (excellent breath control), but there are no sudden leaps, no sharp highs or lows, no discordant notes. It’s Radio 3 not trying too hard in between major concerts.

Quite the opposite is the Sedge Warbler. I can give you a pretty sharp clue as to where you’ll find him singing: in a patch of reeds, certainly near water. He doesn’t need much room: at the Wetland Centre, one sings from a tiny reedbed right in front of a hide, and it’s amusing to watch people trying to locate him even as he sings his heart out. The Sedge Warbler’s song is REALLY discordant. Think modern classical and then some. Schoenberg and Cage rolled into one. Charr-charr-charr (so far so good) SQUEAK Chirp Weeaaiourgh – SQUEAK SQUEAK SQUEAK chirp chirp charr-charr-charr- getting used to this – charr-charr-charr SQUEAK hic! SQUAWK SQUNK got you there charr-charr-charr… and so on for ages. I promise you’ll recognise him straight away.

If we’re into scratchy, the Whitethroat is the start. He’s a beautiful bird and if you’re quiet and come out early before the hordes you’re quite likely to see him atop a tall thorn bush, singing at the top of his voice. He prefers rather isolated bushes in patches of scruffy scrubland. He is reddish brown with a conspicuous fluffy white throat, like an elegant eighteenth-century Mr Darcy with a tailcoat and a white silk neckerchief. Unfortunately for the romantic appearance, Mr D really can’t sing too well, nor for very long. Squeaky-squawky-scritch-scratch. Scrape. Scritchy-scratchy.  Honestly, that’s about it. Occasionally if you’re very lucky you get a little bit of tune, but mostly there aren’t many musical notes in it at all.

OK, the Cetti’s. He isn’t nearly as Italian as his name; in fact, you can find him in reedbeds and beside lakes pretty much all year. He is a real skulker, so I hardly need to describe him, other than to say he sings from quite low down in thick waterside bushes. If you see him at all, it will be a quick glimpse of a medium-dark brown bird with a rounded tail, vanishing into a bush. To compensate, he has a REALLY LOUD song with the pattern Witchipitipit, Witchipitipit. Well, that’s the polite phonetic version. If I remember rightly, it was Simon Barnes in his magnificently naughty How to be a bad birdwatcher (Short Books, 2004; Amazon.com Amazon.co.uk) who voiced the Cetti’s as Me! Cetti’s! If you don’t like it, you can Fuck Off! You’ll definitely recognise him when you hear him, or he’ll nut you one. And once you know his song, you’ll be surprised how widespread he is.

I could do the Lesser Whitethroat for you too, and the Reed Warbler, but I expect you’ve had quite enough for one go. But feel free to ask me if you’re curious.

Sand Martins and Sandpipers

The recent East winds and warmer weather have brought plenty of spring migrants to southern Britain. Today at the London Wetland Centre a twitch was in full swing at the Peacock Tower, the object of the lovers’ attention being a Common Sandpiper peacefully browsing along the muddy shore, happily unaware of the excitement it was causing. The breeding Redshanks, too, stalked about the shallows probing for food; the Lapwings as always alert, chasing off Carrion Crows and anything else that might have been interpreted as threatening. Around the paths, three or four early Sand Martin arrivals wheel and swoop like the small brown swallows that they are; their nest-cliff is still empty.

Around the reserve, quite a few Brimstone and Small White butterflies, and an Orange Tip gave movement and colour. I heard the first Sedge Warbler of the year, and despite being right next to the willow bush from which a Cetti’s Warbler was giving out its explosively phrased song, I couldn’t see the songster. A Blackcap however could be glimpsed behind the Sheltered Lagoon, chattering its alarm call.  A Song Thrush sang at intervals, and a Dabchick gave its beautiful trill and some small squeaks from the Lagoon, in between spending a lot of time under water.

Back at home, a queen Wasp was nosing about some Ivy-Leaved Toadflax, and a red Mason Bee dug for earth in a seedbed, flying off with a little load for her nest.